Глаза Рембрандта - Саймон Шама

Слепота

Bal Mieke. Reading Rembrandt: Beyond the Word-Image Opposition. Cambridge, 1991; Derrida Jacques. Memoirs of the Blind: The Self-portrait and Other Ruins / Trans. Pascale-Anne Brault, Michael Naas. Chicago; London, 1973; Heinemann M. H., Pinell-Staehle H. C. Rembrandt van Rijn and Cataract Surgery in Seventeenth-Century Amsterdam // Historia Ophthalmologica Internationalis 2 (1981): 85–93; Held Julius S. Rembrandt and the Book of Tobit // Rembrandt Studies, Princeton, 1991. P. 118–143; Hellerstedt Kahren Jones. The Blind Man and His Guide in Netherlandish Painting // Simiolus 13 (1983): 163–181; Manuth Volker. Die Augen des Sünders – Überlegungen zu Rembrandts «Blendung Samsons» von 1636 in Frankfurt // Artibus et Historiae 21 (1990): 169–198; Trevor-Roper Patrick. The World Through Blunted Sight. London, 1970.

Нагота

Rembrandt’s «Bathsheba Reading King David’s Letter» / Ed. Ann Jensen Adams. Cambridge, 1998; Aleschina Tatiana Pavlovna. Some Problems Concerning the Restoration of Rembrandt’s Painting «Danaë» // Rembrandt and His Pupils / Ed. Görel Cavalli-Björkman. Stockholm, 1993, 223–234; Clark Kenneth. The Nude: A Study in Ideal Form. New York, 1956 (Кеннет Кларк. Нагота в искусстве. Исследование идеальной формы / Перевод М. В. Куренной, И. В. Кытмановой, А. Т. Толстовой. СПб., 2004); Eisler Colin. Rembrandt and Bathsheba // Essays in Northern European Art Presented to Egbert Haverkamp-Begemann on His Sixtieth Birthday / Ed. Anne-Marie Logan. Doorspijk, 1983. P. 84–88; Panofsky Erwin. Der gefesselte Eros: Zur Genealogie von Rembrandts «Danaë» // Oud Holland 50 (1933): 193–217; Schama Simon. Rembrandt and Women // Bulletin of the American Academy of Arts and Sciences 38 (1985); Sluiter Eric J. Rembrandt’s Early Paintings of the Female Nude: Andromeda and Susanna // Rembrandt and His Pupils / Ed. Görel Cavalli-Björkman, Stockholm, 1993. P. 31–54; Sokolowa Irina et al. Danaë. St. Petersburg, 1998.

Пейзаж и графика

Ackley Clifford S. Printmaking in the Age of Rembrandt: Exhibition catalogue. Boston: Museum of Fine Arts, 1981; Boon Karel Gerard. Rembrandt: The Complete Etchings: 2 vols. London; New York, 1952; Cafritz Robert С. Reverberations of Venetian Graphics in Rembrandt’s Pastoral Landscapes // Cafritz Robert C., Gowing Lawrence, Rosand David. Places of Delight: The Pastoral Landscape: Exhibition catalogue. Washington, D. C.: The Phillips Collection and National Gallery of Art, 1988, P. 130–147; Freedberg David. Dutch Landscape Prints, London, 1980; McNeil Kettering Alison. Rembrandt’s «Flute Player»: Unique Treatment of the Pastoral // Simiolus 9 (1977): 19–44; Idem. The Dutch Arcadia: Pastoral Art and Its Audience in the Golden Age. Totowa; Montclair, N. J., 1983; Lugt Frits. Mit Rembrandt in Amsterdam, Berlin, 1920; Schneider Cynthia et al. Rembrandt’s Landscapes. New Haven; London, 1990; Idem. Rembrandt’s Landscapes: Drawings and Prints: Exhibition catalogue. Washington, D.C.: National Gallery of Art, 1990; Sluiter Eric Jan. De entree van de amoureuze herdersidylle in de Noord-Nederlandse prenten schilderkunst // Het Gedroomde Land: Pastorale Schilderkunst in de Gouden Eeuw / Ed. Peter van den Brink. Utrecht, 1993; Stone-Ferrier Linda. Rembrandt’s Landscape Etchings: Defying Modernity’s Encroachments // Art History 15 (Dec. 1992): 403–433; Rembrandt: Experimental Etcher: Exhibition catalogue. Boston: Museum of Fine Arts; New York: Hacker Art Books, 1988; White Christopher. Rembrandt as Etcher: A Study of the Artist at Work: 2 vols. London, 1989.

Ученики Рембрандта и его «школа»

Головоломной и загадочной проблеме, как отличить картины и рисунки Рембрандта от произведений его учеников, ассистентов и подражателей, в последнее время были посвящены ряд крупных выставок и их каталогов. См. в особенности: The Impact of a Genius: Rembrandt, His Pupils and Followers in the Seventeenth Century. Amsterdam: Rijksmuseum; Berlin: Gemäldegalerie: London: Royal Academy, 1983; Rembrandt: The Master and His Workshop: 2 vols., New Haven; London, 1991; Cavalli-Björkman Görel, Blankert Albert, Liedtke Walter et al. Rembrandt and His Pupils / Ed. Görel Cavalli-Björkman, Stockholm, 1993; Sonneburg Hubert von, Liedtke Walter. Rembrandt/Not Rembrandt: 2 vols. New York: Metropolitan Museum of Art, 1995; Rembrandt: A Genius and His Impact, National Gallery of Victoria. Melbourne; Zwolle, 1997. См. также: Gerson Horst. Rembrandt’s Workshop and Assistants // Rembrandt after Three Hundred Years: A Symposium. Chicago, 1973. P. 19–31; Janssen Paul Huys, Sumowski Werner. The Hoogstede Exhibition of Rembrandt’s Academy. Zwolle, 1992. Наиболее авторитетным справочным изданием, посвященным «школе» Рембрандта, следует считать работу Вернера Зумовски: Sumowski Werner. Gemälde der Rembrandt-Schüler. Vol. 1, Landau, 1983. Из недавних исследований необходимо отметить содержательную статью Вальтера Лидтке: Liedtke Walter. Reconstructing Rembrandt and His Circle: More on the Workshop Hypotheses // Papers in Art History from the Pennsylvania State University 11 (1999): 38–60.

Исторические полотна и портреты 1650–1660-х гг.

Alpers Svetlana. Rembrandt’s «Claudius Civilis» // Rembrandt and His Pupils / Ed. Görel Cavalli-Björkman. Stockholm, 1993. P. 14–30; Bailey Anthony. Response to Rembrandt: Who Painted «The Polish Rider»? A Controversy Considered. New York, 1994; Biatostocki Jan. Rembrandt’s «Eques Polonus» // Oud Holland 84 (1969): 163–176; Benesch Otto. Wordly and Religious Portraits in Rembrandt’s Late Art // Art Quarterly 19 (1956): 335–355; Blankert Albert. Rembrandt, Zeuxis, and Ideal Beauty // Album Amicorum Jan Gerrit van Gelder. The Hague, 1973. P. 32–39; Broos Ben P. J. Rembrandt’s Portrait of a Pole and His Horse // Simiolus 7 (1974): 192–218; Deutsch-Carroll Margaret. Civic Ideology and Its Subversion: Rembrandt’s «Oath of Claudius Civilis» // Art History 9 (1986): 12–35; Manke Ilse. Zu Rembrandt’s «Jakobsegen» in der Kasseler Galerie // Zeitschrift für Kunstgeschichte 23 (1960): 252–260; Nordenfalk Carl. The Batavians’ Oath of Allegiance. Stockholm, 1982; Schwartz Gary. Appelles, Apollo en the Third Man: Schilderkunst, letterkunde en politiek rond 1650 // De Zeventiende Eeuw 11 (1995): 124–130; Stechow Wolfgang. Jacob Blessing the Sons of Joseph: From Early Christian Times to Rembrandt // Gazette des Beaux Arts 23 (1943): 193–208; Waal Henri van de. The Staalmeesters and Their Legend // Idem. Steps Towards Rembrandt. Amsterdam; London, 1974. P. 247–275.